Below are images from the 2006 movie, "SUPERMAN RETURNS", a homage to the 1978 movie, "SUPERMAN: THE MOVIE" and 1980's "SUPERMAN II". Directed by Bryan Singer, the movie starred Brandon Routh as Superman aka Clark Kent:
"SUPERMAN RETURNS" (2006) Photo Gallery
"FROM PARIS WITH LOVE" (2010) Review
On the heels of the 2009 action hit, "TAKEN", producer/writer Pierre Morel released another action packer last called "FROM PARIS WITH LOVE". This movie centered around a pair of CIA operatives portrayed by John Travolta and Jonathan Rhys-Meyers hunting for Islamic terrorists in Paris.
Rhys-Meyers portrayed James Reece, an aide to the U.S. ambassador to France, who also happened to be a low-level CIA operative with duties that include changing cars license plates for field operatives. His constant requests for a promotion to field agent finally led to a senior-level assignment as an escort for a visiting CIA agent named Charlie Wax. The latter was sent by the Agency to investigate a drug ring that may have been indirectly responsible for the death of the Secretary of Defense's niece from a drug overdose. What started as a simply task of getting Charlie cleared by French Customs agents, eventually led to a series of dangerous and sometimes humorous adventures in the French underworld in search of Islamic extremists, planning to destroy the U.S. Embassy in Paris during a summit meeting.
Unlike "TAKEN", producer Luc Besson and director Pierre Morel presented a tale that relied more on comedy and less upon family angst. I must admit that Besson and co-writer Adi Hasak’s screenplay for "FROM PARIS WITH LOVE" did not seem all that original. The movie seemed like your typical action flick filled with one-liners, hair-raising stunts and explosions. However, like "TAKEN", the movie did provide plenty of interesting views featuring the steamier side of Paris and some very hilarious moments between Travolta and Rhys-Meyers. I am also grateful that cinematographer Michel Abramowicz’s photography lacked the shaky camera work that has occasionally marred some action films over the past two decades or so.
I do have one major problem with this film. Aside from one character, all of its villains – minor or otherwise – came from within France’s immigrant population. Wax and Reece encountered criminals of Asian, African and Arabic descent. And although the movie featured one French villain, the character happened to be a recent convert to Islam. At least "TAKEN" featured a corrupt French cop and an equally corrupt American diplomat. Not even "FROM PARIS WITH LOVE" can claim this brand of diversity.
Another aspect of "FROM PARIS WITH LOVE" proved to be the screen teaming of John Travolta and Jonathan Rhys-Meyers. Quite simply, they sizzled - much to my surprise. Travolta’s Charlie Wax bore a strong resemblance to some of his other over-the-top characters that he has portrayed over the years. However, for "FROM PARIS WITH LOVE", Travolta portrayed a protagonist. One of the good guys. Instead of being slightly overbearing, Travolta turned out to be funny as hell. But he was not the only one who provided humor in the movie. Jonathan Rhys-Meyers proved that he could match Travolta in the humor department, as his character James Reece reacted to Wax’s lunacy. And there were several scenes in which he also proved that he could be just as over-the-top as Travolta. Of course, this should not be a surprise, considering Rhys-Meyers' portrayal of the extroverted King Henry VIII on Showtime’s "THE TUDORS" for four seasons. My only quibble with his performance was that his American accent seemed ridiculously flat at times.
Would I be inclined to view "FROM PARIS WITH LOVE" on DVD or streaming television sometime in the near future? Maybe. Sure. Why not? Granted, I found the movie's portrayal of Paris’ immigrant population rather one-dimensional and borderline offensive. And its plot seemed to lack any originality, whatsoever. But Besson and Hasak wrote a solid story with plenty of action, tension and humor. And Morel’s direction did justice to their screenplay. So, yes . . . reluctantly . . . I would consider viewing this movie again. After all, it is damn entertaining.
MARY AND HENRY CRAWFORD IN "MANSFIELD PARK"
Every time I read an article or review about Jane Austen's 1814 novel, "MANSFIELD PARK", the authors of these articles always comment on the unpopularity of the novel's leading character, Fanny Price. I could say the same about most articles and reviews on the novel's television and movie adaptations. Time and again, both critics and others claim that most Austen fans have a low opinion of Fanny Price. At the same time, these same commentators like to point out the popularity of the novel's antagonists, Henry and Mary Crawford.
The first time I had come across such a statement about Fanny Price and the Crawfords, I decided to search for further articles that verified these claims. In all honesty, I have come across at least less than a half-a-dozen articles or blogs that either criticized Fanny or praised the Crawfords to the sky - especially Mary Crawford - or did both. But most of the articles and reviews I have discovered usually followed this structure:
1. Fanny Price is very unpopular with Austen fans.
2. The Crawfords - especially Mary - is very popular with Austen fans.
3. The authors claim that they harbor the same opinions, until recently.
4. The authors eventually state that they believe Fanny Price is a misunderstood character and praise her character to the sky as a paragon of virtue and courage.
5. Or the authors would point out Fanny's personality flaws and claim that Austen used as some kind of metaphor for eighteenth century morality play, or etc.
6. Bring up the Crawfords and reveal how degenerate they really were, despite any virtues they may possess. Both characters have been called the worse names in an effort to make Fanny look good.
I like to call the above structure or formula - "The Defense of Fanny Price Campaign". And most articles I have read about "MANSFIELD PARK" usually follow this formula. In fact, I have come across so many articles of this nature that I now have doubts that most Austen fans really dislike Fanny or even like the Crawfords.
I am well aware that Mary and Henry Crawford were flawed. And I believe that Austen did an excellent job of making their flaws rather obvious. On the other hand, I believe that she did a pretty good job in portraying their virtues, as well. Fanny Price was no different, in my opinion. Mind you, I found her rather dull at times. But I have never dismissed her on those grounds. Fanny did have her virtues. But I believe that she also possessed flaws. And like the Crawfords, she never overcame hers by the end of the novel. But whereas Austen literally ignored Fanny's flaws by the end of novel . . . and gave her a wide berth, she castigated the Crawfords for failing to overcome their flaws. Many critics and fans who have posted articles in the very fashion I brought up, also did the same. And so did the movie and television adaptations.
This is the main problem I have about "MANSFIELD PARK". If Austen had been willing to acknowledge Fanny's flaws (let alone those of her cousin, Edmund Bertram), I would have never found it difficult to enjoy the story. I suspect that "MANSFIELD PARK" could have easily been one of those novels that explored the complex nature of all of its major characters without labeling one or two of them as "villains". Or . . . if she really wanted to villify the Crawfords that badly, she would have been better off portraying them as superficial, one-note characters.
But what I find really frustrating is this so-called "Defense of Fanny Price" campaign that seemed to have swamped the Internet for the past four-to-five years. By utilizing the structure that I had earlier pointed out, these critics and fans seem willing to turn a blind eye to Fanny's flaws; at the same time, castigate Mary and Henry Crawfords as villains on the same level as George Wickham of "PRIDE AND PREJUDICE". Of all the articles I have come across about the characters featured in the 1814 novel, only one has seemed willing to view them all as morally complex and ambiguous. Unfortunately, I have not seen hide nor hair of it in a few years. If there are other "MANSFIELD PARK" articles of similar nature, I can only hope that someone would inform me.
Below are images from "TAP ROOTS", the 1948 adaptation of James H. Street's 1942 novel. Directed by George Marshall, the movie starred Susan Hayward and Van Heflin:
"TAP ROOTS" (1948) Photo Gallery
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Below are images from the 2006 movie, "SUPERMAN RETURNS" , a homage to the 1978 movie, "SUPERMAN: THE MOVIE" and 19...
